milan duo flashmob need no introduction to the house music world. having lead the charge for the last few years with their seminal works on defected and get physical the story continues to build with a new chapter in the evolving narrative of high tech house music.

matthew dear continues his resurgence as audion in 2014 with sky / motormouth remixes as he continues to build on last years audion x, a compilation album looking back at a decade of audion material

catalognumber 23 – what else is to say? while we are feeling the spirit of william s. burroughs blessing this very vinyl-enigma, &me went particularly mysterious ways to transcend the category - dance track - for this one. the meditation through bass had been the major discipline of some of his latest cuts, but what you will find on this a-side, one could certainly call the perfection of somnambulistic peaktime-fever. the way he is kneading the lower frequencies, how he is channeling the expansion and decay of bass must inevitably lead to some aroused moaning. good vocal-selection, for that matter! then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season. * locust* on b comes in with some smoothly looped e-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. but then again: rolling bass barrels like a signature and a defence breaking build up thats ensued by liberating pressure compensation in mighty breaks. two demonstrations of understated and sophisticated peaktime-emphasis, so to say. or differently put: a flawless double-a-side.

after the foundations for his new chapter of productions solidified, with figure 53 welcoming him to the figure camp, cleric now continues to build on his raw yet sharp and accurately cut techno sound

damian lazarus presents his new artist project. damian lazarus and the ancient moons will make their debut on crosstown rebels this summer. the single lovers eyes (mohe pi ki najariya) is the first release from lazaruss new collaborative artist project, which will build towards an album and live shows in early 2015.

the next release on contemporary scarecrow comes from chicago house legend boo williams. this double pack features 8 tracks of quality chicago house to complete another solid release on this rising australian label

the hei ho series comes to the end with hypnotic grooves, deep basslines and harmonic strings to build up puristical aesthetics and function of sound. the remixes of stefan rein and avion are heavy dancefloor monsters which underline the japanese principle of sen no sen with straight and true techno music. vinyl only & handstamped.

three tracks taken from the album *atonement*, compiled by osunlade.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint

jackmate comes here with a build-up monster piece of techno which is driven by massive broken drum patterns.

with sincopat 21 we start a new chapter in the label, we ask the illustrator philip cassirer to create a really special artwork for the next 10 eps, is a mosaic made up with ten pieces starting in the 21th release and ending with the 30th, we call it sincopat island and just 300 limited vinyl copies will me made for every single release, so you will just be able to build the puzzle getting our next 10 releases.

the legendary mr g is back with a brand new 2014 repress on his phoenix g imprint. 3 staggering and repetitive deep and techy tracks for ultimate club build up purposes. bucket list is a typical track that fits in all kind of sets, wether you are a tech or deephouse dj this ep has a strong vibe on which you cant miss out on.

rich nxt, one of fuses core residents, returns for his fourth ep on the fuse london label. the *waistline ep* sees him build upon his fine earlier work with another mesmerizing journey through expertly crafted underground sounds.

lucidflow chief nadja lind again teams up with uk producer paul loraine on making a difference. a track that will see them confidently build on the success of their former releases. for such a fantastic original, it was only right to draft in some esteemed remix talent like silicone soul, funkd v.

washington dc s dj nav immortalises his melodic grooves on hand-numbered 12 inch vinyl on the ever-growing scottish imprint, made fresh daily. classic sounds are prevalent through city limits, with strong garage flavours in the percussion. a moving bassline on your words keeps things interesting as it realms into more underground areas, bringing variety to the otherwise classic sounding ep. reflect is a beautiful example of how real house can sound when executed properly, it also provided a platform for danny j lewis to build his dancefloor-minded dub. mastered by the mighty nate tinsley productions in long island, ny. this one comes with a free sticker if that wasnt enough.

vin sol & matrixxman return with their second double-header of remixes of one of the most distinctive voices in modern music, revisiting two of the hallowed songstress classics from the 80s. first up is the beautiful *never thought* which has been given the remix treatment many times before due to the accapella being on the original 12 inch. here vs & m add early 90s house flourishes - warm pads, deep chords and the original vocal seeping in and out of the mix, whilst elements slowly start to build up for what is a pretty ecstatic house rework of a classic. simple and effective. fans of innervisions wont be disappointed! on the flip, *love is stronger* is a mellower take on one of her signature hits. sticking to a cool 110 bpm tempo, it has got a bubbly, woozy late sunday afternoon vibe emanating from the first 4 bars. another solid rework from the vin sol & matrixxman camp!

the first supply showcase: four label-newcomers range with veteran authority from deep house to driving techno. the opener is a grooving house burner: an infectious loop and low-slung drums build triumphantly. anders hellberg drops in some acid, with a strident 909 beat stalking an open, melodic soundscape. kicking off the flip, label co-owner jb teams up with bostonian paul morse in an icy, tantalizing variation of elastic, swinging deep-house, before stojches outward opens up an ending, its pounding beat laced with bitter-sweet detroit strings.

the latest drop from retrometro is not for the faint-hearted, as germanys myk derill brings the metal machine music. you are is a stomp and grind monster, with speaker-troubling kicks and torture chamber soundscapes. zerone is a brutal, relentless berlin warehouse workout, with deep reverbs, on-point percussion and a juicy roll on the low end. alert brings yet more of the factory floor pump, with its white noise build-ups and decayed percussion. and the caustic rhythms and haunting synths of between bring another dynamic to the ep! bruising!

oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.
repress in standard sleeve.

mosaic split series kickstarts 2014 with three solid tracks of silky deepness that build upon the mosaic sound of old whilst remaining firmly in the present.

limited edition of 500 vinyl copies in special die-cut sleeves.
oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.

wonderwheel recordings is proud to present the remix 12 inch for alsarah & the nubatones. called the new star of nubian pop by the guardian, the album, silt was produced by alsarah who describes the sound of silt as east african retro pop – it is music that harkens back to the hazy sounds of 1960s and 70s nubian music with its haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.
the original song *soukura* a small taste of the upcoming album silt (out on 3/11) gets a signature deep and entrancing ancestral soul remix by african house legend boddhi satva. perennial wonderwheel favorite the spy from cairo gives *nuba noutou* a dubby dancehall re-rub, and label head nickodemus takes *rennat* into late night house territory with his remix, letting only the slightest of vocals come through and build tension until the final moments of the tune.

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

vinyl-reissue des cinematic orchestra klassikers aus dem jahr 2007. erscheint als deluxe 180 gramm doppel-vinyl, inklusive mp3 download code und 11 fotografien von maya hayuk.

next up on visionquest is the second single from wareikas righteous and raw wternal album. all little things, here in its club mix incarnation, is another example of the trios hefty musicianship and unbridled eccentric energy, where jazzy textures and pulsating grooves build up with a rising melody to the powerful vocal drop. on the first remix visionquest & nikko gibler develop expansive piano melodies alongside an elasticated bassline and vocal snippets. fred p reigns over the b-side with his raw, deep hypnotic reshape and warmed up spirit dub. this is a distinctly diverse remix package from a rich artistic source.

he/at (pronounced “heat”) is a new project from an established uk producer. this is the second he/at ep to date, following on from the *a death in the family ep* release earlier this summer. limited to a vinyl-only pressing of 500 (which sold out immediately), it was not repressed, bringing he/at to the attention of the techno community. *a terrible misunderstanding ep* contains 4 tracks of fresh, raw, bass-heavy techno as tempered and toughened as it is controlled, as melodic as it is intricate. this ep continues to build upon the rich history of proper techno from middle england, and also unfolds the next chapter in the rise of he/at…

bleary faces is the debut ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself. all of the tracks featured here are on a slow-house tip without losing their ruff edge through a massive bass foundation. it is all about progresssion with a strong emotional build up. deep-house veteran vincenzo is on remix duties here. he re-creates the main track bleary faces with a new theme enhancing the original with some more disco-influenced touches.

a three-armed entity consisting of sagat,&apos, and walrus, bepotel build sonic landscapes. hazy or sparkling, their sound is a portal to digital emotions, their interpretations of widescreen sympathy, lukewarm spandex conviviality, of miscalculated disorder. with previous releases for meakusma, the brussels based label/artist-platform lamadameaveclechien, as well as their own eponymous imprint, kikkerkelik marks the trios first release for vlek.

a 4-track package traversing house and techno. first up jour de fete, a reference to the black and white 1940s french comedy – perhaps a clue to mr georget… one things for sure this is toe-tapping house. taking its time to perfectly build up the progression towards smooth outbursts of wailing sirens. 6eme etape is another fine example of get-up-and-dance house, theres plenty of driving drum kick and jazzy key chords, nicely pulled back and interrupted, to drop back in again with a renewed energy. poil de renard on the other hand immediately marks out its territory among the german minimal and micro house space. strong, syncopated beats laced with chopped up whispers and unknown reverberations, this is tough! the 103 mix softens up the edges, a subtle underlying synth providing the mellowness – essentially your morning-after dub version.

huge support from : ricardo villalobos, zip, tobi neumann, sylphe, dan ghenacia, troy pierce, dubfire and many more....
concealed sounds is a brand new label from the copenhagen based producer and dj martinez. the label is set up as a platform for the more deeper shade and experimental sound of techno and house music. it will feature releases by martinez himself, but also showcase some new talents as well as well known colleagues from the scene. and as the label name suggests each release will include a hidden sound, beat, groove or ambient piece. the first release comes courtesy of martinez, and its called: hollow ep. it starts off with a 14 minute piece of modern modular based techno. deep hypnotic rhythms lay down the foundation while high pitched noisy metallic sounds build over the hollow groove, before the baseline kicks in to lift everything to another level. the piece finally breaks down completely, to an almost horror-film-soundtrack like ambience before the groovy rhythms find their way back to bring the track to life again

in a flurry of melodic energy like only he can whip up, apple pips mainstay arkist returns with two assured cuts that perfectly build on the strengths he has always displayed for killer production and mean hooks.

ltd backstock . ivano tetelepta returns to duty on fof after his well received * true colours* lp with a veritable potpourri of tracks in collaboration with various cohorts. first up ivanos collaboration with steve siwalette twists and turns with a steppas beat whilst melodic licks build the track up to its anthemic break. * give me something so i can dance* w/alex jansen roughs things up with a low-slung dirty groove whist ben buiendijk injects an acidic flavour into his collaboration before ivano & bas amro delve deeper with the sweetly melancholic tones of * manolia*.

the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

samuel l session back on his own imprint. 4 bass driven techno monster. slow build ups, sublte grooves and modulations makes this ep a winner. shrinked!

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

ovatow drops 3 extremely deep journeys into the fog of endless re-verb and delay applications.flame and a thought are 2 electro-techno tracks that are both build on randomly step-sequenced square bass lines, raiser sharp snares and dubbed out melodies drowned in layers of breathing dusty tape delays. visitation dub iii is a different version of an ovatow track, earlier released as part of the viewpoints chapter one compilation, but this time stripped down to the core bass line, reminiscing bcs presence. the release is dedicated to the loss of south rotterdam based dj juvenile jay who played an important roll in the early dj career of frustrated funks head honcho klen, the man behind the ovatow moniker. very much recommended!

vinyl only! strong limited to 300 handstamped copies worldwide. second release of pa-music. connection of reservated harmonic grooves paired with strings, piano and analog synths to build up puristical aesthetics and function of sound.

a firm favourite in the rebellion camp, prolific producer aidan lavelle makes his third appearance on the imprint this time with the immense direction ep, comprising of three outstanding big room tracks that will blow your mind. powerful build ups and epic breakdowns will dominate the dancefloor while trippy fx, rolling grooves and deep tribal undertones will circulate the atmosphere with aidans vocoder enhanced vocals adding a real stand out element. all three tracks are to be played loud for full effect and maximum destruction on the dancefloor

john digweed and nick muir collide with psycatron on this pounding techno fuelled number, harking back to the golden age of acid tinged basslines and urgent, frenetic drums. furious breakdowns build anticipation on this peak-time dancefloor killer!

ltd yellow vinyl 2013 repress !!!
the title track tin of worms showcases crisp, tight linear drum programming a ribcage shaking sub base & supernatural sounding synth sounds which build & drop in a question & answer format over its 8 minute cycle displaying the original principles of minimal techno alongside forward thinking sound design.
for the flip side we proudly introduce westway which is original baby ford material written on the eve of the millennium, recorded on fordÆs now defunkt hardware set up and mastered from dat. this track conjours images of smoky late night jazz clubs with its smooth intermittent piano chords & strings that seem to float in an out of the mix like the warm breeze on a long summers evening set starter, nightclub techno lesson, afterparty showpiece the choice is yours!

dubspeeka is a relatively new name on the house music circuit but has entered it with an impact. his unique take on house music has given him an edge over other producers. releasing most of his own music on his label skeleton. he has worked relentlessly hard to create a name for himself and build his label as a brand and outlet for all his musical endeavours what, has given dubspeeka leverage to have acts such as glimpse and pierre deutschmann feature on his label

mansion music is proud to present ivory d or a self-confessed, techno and all-round groove merchant. ivory d or is a st. lucian born, london raised producer & dj who has been making music from the tender age of 17, still only 18, ivory has been busy over the last year developing and honing his skills and delivers his infectious debut ep, flashback. from the subtle build on tracks like flashback to witch doctors dark & troublesome drop this ep is full of unexpected rhythmic twists and infectious groove.ivory d’or has been receiving early radio support so far from b.traits & toddla t (bbc radio 1), foamo (rinse fm), rattus rattus (kiss100) and dj support from the likes of ac slater (mad decent), breach & route 94.

special nice price deal!
- slightly harder sound this time out, with a deep and dark tech house vibe rich with ominous synths and engaging effects that subtly build and build. flip for an even more techno slanted sound with manic synths, and detroit flavored rhythms that burst into an energized tech house finish. these guys are definitely fine tuning their sound

limited nice price action
- enemy records artist decimal returns, offering the second release in his imaginative impulse control series. picking up where impulse 1s obscuro left off, main molecule experiments with mixing and synthesizers to explore new modes of climax and sustainment. an upbeat tempo and playful use of vocal samples and varied clanking percussion elements make this is a sure fire crowd pleaser for peak time sets. vitruvian lamb, a minimal techno piece with a bubbling groove, has an eerie breakdown where little more than a single chord rises and falls to build tension, captivate, and create a kind of subdued intensity, the perfect fuel for the afterhours fire

nach veröffentlichungen auf planet mu, super und ninja tune sowie remixen für franz ferdinand, wild beasts, clock opera oder aluna george veröffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun endlich sein debütalbum auf dem londoner label. musikalisch spannt der brite auf den insgesamt dreizehn tracks des albums einen spannenden bogen aus house, bass, post dubstep und electronica.
pressung auf weißem doppel-vinyl, mp3 download-code inklusive.

krasnodar, located around 1500km due south of moscow is where aleksander tochilkin (kott) calls home. from this city, deep in the south of the giant russian state, kott crafts and creates even deeper cuts of house music.
this, his debut ep for italian imprint dabit, is made up of three original tracks and remix by dave scott. *physics* is firmly rooted in the classic house ethos, chopped vocals and glorious strings build an impressive backdrop for the swinging hats and off beat snares. it is hard to listen to this track without thinking about the sun.

percep-tion is an electronic music label founded in 2013. homebase will be berlin, germany and amsterdam in holland. the music will vary from house to techno, but always of high quality and with the best producers in the scene.percep-tion is not just a music label i, we are also doing exhibitions and parties throughout europe. the designer of the label is herr von bias one of berlins fastest upcoming street art stars.
the first release is called jamaican summer and is build around a voice sample by one of the founders of rock steady from jamaica. remixes are made by jay tripwire, david alvarado and diego krause.